Before you ask.

We are the in-house studio of Syairozi Group, and we take on outside clients with equal weight. Brands, businesses and organisations anywhere in Indonesia are welcome to send a brief.

Use the brief composer on the contact page. It opens a prefilled email to contact@syairozi.com that you can edit before sending, and we reply with questions or a quote.

What you need, who it is for, where it will be seen and when you need it. References you like, and ones you don’t, help as much as any written description.

Yes. Briefs, reviews and approvals all run online, and we travel for shoots when the work needs a camera on location.

Every project is quoted on its own after we read the brief. We don’t publish a price list, because scope, crew and deliverables change from one project to the next.

No, the budget band in the brief composer is optional. If you do share one, it helps us shape a scope that fits rather than quoting something you would have to cut back.

Mostly the number of locations and set-ups, the size of the crew, talent, props and how many finished pieces come out of it. The quote lists each of these so you can see where the cost sits.

As a recurring scope: the channels, the volume of posts and videos per cycle, and whether we handle posting and replies. We review it together when your needs change.

It depends on the scope, so the schedule is agreed in the quote, from first draft to final delivery. If you have a fixed launch date, put it in the brief and we plan backwards from it.

The number of rounds is agreed in the quote and depends on the kind of work. We keep reviews focused by agreeing the direction early, in scripts, boards and drafts, before the expensive stages.

Yes, if we plan for it. We frame and block with the vertical crop in mind, so the main film and the 9:16 cuts come from the same day’s footage.

No. We can write the concept and script from your brief, or work from one you already have. Either way the script is signed off before production starts.

Yes. Send your logo files, typefaces, colours and guidelines, and we build the motion around them rather than restyling your brand. Layered source files make the work cleaner.

Yes. We bring lighting, backdrops and styling to a space that works, or you send the products to us. Food is usually shot where it is cooked, so it reaches the camera fresh.

Either. We can plan the calendar, write the captions and publish on schedule, or hand over finished posts and templates for your team to run.

The finished masters, exported in the formats and sizes each channel needs. Source and project files are delivered by agreement, and the quote states which ones are included.

You own the final deliverables once the project is paid. If you have specific needs, such as exclusivity or use by a partner, tell us so we can write them into the quote.

Often, yes, by agreement. Editable design files, layered artwork and animation projects are listed in the quote when they are part of the handover, so you know up front what you can edit yourselves.

Licensed music, footage and fonts are cleared for the use agreed in the quote, such as online, broadcast or events. If you plan to use the piece somewhere new later, check with us first so the licence still covers it.

Yes. Group companies and outside clients work with the same people, the same kit and the same standards.

No. Outside work doesn’t wait behind group projects, and it doesn’t jump ahead of them either. Your timing is agreed in the quote and we hold to it.

Because that is where the studio began, making films, photos and content for the group’s own businesses. The same crew and craft go into outside work.